Art Almanac - Finalists of the inaugural Still: National Still Life Award

October 19, 2017 in press

The biennial ‘Still: National Still Life Award’ seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation of this enduring genre. The award encourages artists from across Australia, at all stages of their careers, to explore still life themes through all mediums.

Coffs Harbour Regional Gallery were “bowled over” by the number of submissions – receiving over 600 entries.

Richard Spoehr, Between Mind and Material, 2017, handmade porcelain, metal found object / group of 3D objects. Courtesy Stella Downer Fine Art, Sydney

Finalists were selected by a judging panel comprised Director of Lismore Regional Gallery Brett Adlington, Sydney art collector and former board member of the Museum of Contemporary Art Lisa Paulsen, along with Coffs Harbour Regional Gallery Coordinator Cath Fogarty and Curator Jo Besley.

The selected artworks include painting, drawing, photography, printmaking, ceramics, glass, sculpture, video, printmaking and textiles.

Kellie Leczinska, Mortgage – Death Pledge, 2016, large format photograph printed on platinum. Courtesy Contact Sheet Gallery, Sydney

This year’s 63 finalists are: Tony Albert, Louise Allerton, Kelly Austin, Tanya Baily, Elie Begg, Annette Blair, Rene Bolten, Mechelle Bounpraseuth, Terri Butterworth, Fran Callen, Tom Carment, Angela Casey, Tiffany Cole, Karl de Waal, Trisha Dean, Mary Donnelly, Scott Duncan, Sarah Edmondson, Nicolette Eisdell, Merran Esson, Ben Fayle, Guy Gilmour, Sarah Goffman, Ronnie Grammatica, Linda Greedy, Colleen Greig-Canty, Vanessa Holle, Alana Hunt, Susan Jacobsen, Laura Jones, Helle Jorgensen, Paul Kalemba, Laura E. Kennedy, Myriam Kin-Yee, Zai Kuang, Michael Langley, Sam Leach, Kellie Leczinska, Alison Mackay, Josh Mackenzie, Kiata Mason, Julian Meagher, Robert Moore, Stephen Nothling, Susan O’Doherty, Sarah O’Sullivan, Sassy Park, Victoria Reichelt, Elvis Richardson, Damien Shen, Brendan Smith, Tim Snowdon, Richard Spoehr, Vipoo Srivilasa, Nathan Taylor, Samantha Thompson, Anselm van Rood, Prue Venables, Lilli Waters, Kati Watson, Greg Weight, Mirra Whale, and Cleo Wilkinson.

Still: National Still Life Award will be an acquisitive art prize of $20,000, with a new addition of a People’s Choice Award of $5,000. The award will be will be judged by Lisa Slade, Assistant Director Artistic Programmes at the Art Gallery of South Australia.

The finalist exhibition will be on show at Coffs Harbour Regional Gallery from 24 November 2017 to 18 January 2018, and will be accompanied by a public program called ‘Still: Contemplating Life’ which will include artists’ talks, workshops and a focus on mindfulness and meditation.

HER Magazine - An 'emotional wallop': The Canberra Symphony Orchestra's Australian Series →

May 18, 2017 in press

Jolene Laverty
War has changed immeasurably during the last century, and whilst some of changes are easily observed (like the advances in technology for example) others are more discreet.

The ways in which war is portrayed through art has undergone subtle yet significant changes; some of which will be heard and seen during the second performance of the Canberra Symphony Orchestra’s Australian Series, which is held in partnership with the National Portrait Gallery.

Moving ahead 100 years, several of the finalists in the National Portrait Gallery’s National Photographic Portrait Prize 2017 show that the artist’s attention has moved from the steady focus on the soldier’s experience to include indirect participants of war who are equally affected by its consequences. For example, Kellie Leczinska’s portrait of young mother and refugee Kuei shows us a striking image of a woman whose life has been profoundly impacted by war. In her artist statement, Leczinska writes

Artists and musicians have long used war as the subject of their creations, but contemporary artistic expressions such as we see in the Portrait Gallery’s National Photographic Portrait Prize 2017 show that the narrative has broadened from the experience of the soldier to include the stories of people who would otherwise remain hidden.

This Australian Series also features a newly commissioned work from composer Alice Humphries. In order to help shape the work, Humphries spent some time looking for themes that link the images on display in the National Photographic Portrait Prize 2017. She describes her piece ‘About Light’ as being inspired by an element which is essential in photography.

Click here for full article http://hercanberra.com.au/cpcity/cso-australian-series/

Skin / Nude Photographic Exhibition

April 07, 2017

Please join us 6th - 29th April 2017 - The exhibition will run simultaneously across two two spaces Contact Sheet, St Leonards and The Fox Darkroom, 8 Elizabeth Street (Entry via Laneway) Kensington

This exhibition will provide the audience with a new, fresh and uninhibited way of understanding and exploring the nude in photography.

Artists

Coby Baker, Christian Blanchard, Steven Cavanagh, Damian Dillion, Heather Dinas, Christine Gleisner, Kellie Leczinska, Paul McDonald, Garry Moore, Hugo Sharp

Tell Me Ten Words in French

March 02, 2016

It was my absolute pleasure to be part of a panel to judge a photographic competition held by Alliance Francaise - 'Tell me ten words… in French’ / Dis-moi Dix Mots en Français. The aim of the competition is to celebrate the diversity of French-speaking-regions Alliance.

The 10 best photographs will be exhibited from 22 March - 22 April 2016, Alliance Francaise, 257 Clarence Street, Sydney. http://www.afsydney.com.au

Lighting the Form - Workshop - Contact Sheet

February 18, 2016

Excited to be teaching this fabulous workshop alongside Tom Luscombe. Please come and join us.

The workshop is designed to be hands on with practical advice mixed with live model shoots in the studio. Your tutors will take you through a variety of setups with an emphasis on how to light the models skin. The course will also focus on directing techniques for models, setting the scene and the importance of good composition . The course aims to give a better understanding of light and shadow and to give emphasis to form with ideal proportion.

The course will give students an opportunity to shoot different nude setups in our studio. Students will also be required to source their own model and conduct their own shoot as home work and present to the final class for critique. The final class will be determined after discussion with the group in the first class.

www.contactsheet.com.au